Design Miami Culminates 20th Anniversary Year with Miami Beach fair curated around Make. Believe.

Over 70 exhibitor presentations across Gallery, Curio, and Special Projects, with over 25 debuts
Design Miami and Bank of America Private Bank announce their inaugural Title Partnership
Make. Believe. theme welcomes a celebration of design as a space of fantastical projection
Special Project, Design Miami 2.0, features eight of today’s most compelling voices in design

November 13, 2025, Miami Beach - Today, Design Miami announces programming highlights for the 20th anniversary edition of its Miami Beach fair. Marking the culmination of the brand’s 20th anniversary year through 2025, the Miami Beach fair returns to its flagship location at Pride Park from December 3 -7, 2025, with Preview Day on December 2.

Design Miami and Bank of America Private Bank are also proud to announce their inaugural Title Partnership on the occasion of Design Miami’s anniversary edition. The partnership emerges during a moment of celebration around two decades of pioneering design, creativity, and cultural exchange. This partnership reflects Bank of America’s ongoing commitment to supporting the vibrant community of designers, collectors, and thought leaders who are shaping the future of design; and underscores a significant recognition of the importance to spark dialogue, support emerging talent, and champion design as a vital part of the cultural economy.

The fair celebrates Design Miami’s two decades of championing the design avant-garde, with curatorial director Glenn Adamson and the theme Make. Believe., honoring the collectible design visionaries of the past and present, and spotlighting those of the future. Focusing on the intersection between skilled and knowledgeable craft and wild flights of imagination, the theme perceives design as a space of fantastical projection, but a fantasy that is grounded in reality. Imagination comes to life through craft, in all its forms.

Marking this milestone year, the fair also unveils Design Miami 2.0, a Special Project curated by Adamson featuring works by eight of today’s most compelling voices in contemporary design. The title offers a visual nod to Design Miami’s 20th anniversary, while playfully signaling new beginnings as the fair looks ahead to its next decade.

Design Miami CEO, Jen Roberts says: “This edition of Design Miami marks the culmination of our milestone 20th anniversary—a year spent reflecting on our two decades of evolution while looking ahead at what’s to come. We began the year with the launch of Design Miami.In Situ, our debut exhibition in Seoul, a return to Paris, and now we have come full circle returning to Miami. We are thrilled to be presenting an incredibly robust program, welcoming over 70 international exhibitors. This edition’s curatorial theme, Make. Believe., could not be more fitting—a celebration of the extraordinary power of design to turn imagination into reality.”

Curatorial Director, Glenn Adamson, says: “It’s an honor to be returning to Design Miami as Curatorial Director for this 20th anniversary edition. It seems like a unique opportunity to reflect on the fair’s legacy while considering new paths forward. The theme, Make. Believe., epitomizes Design Miami’s spirit of discovery. We’re putting next generation voices alongside established and historic designers, creating a conversation about skilled craft and unfettered imagination, and the way those two things continually inform each other. Design Miami has always been a meeting point of practicality and possibility. This year, we intend to create that spark of inspiration throughout the fair, to evoke the feeling that design’s future is unfolding before us.”

SVP of Fairs, Grela Orihuela, says: "Over the past two decades, Design Miami has told the story of collectible design—championing the cutting edge of contemporary practice, honoring design legacies, and nurturing new voices and ideas. As we celebrate this dual spirit of heritage and innovation, we’re delighted to welcome more than 25 debut exhibitors to this year’s fair. Their presence, alongside our returning and long-established galleries, shows that the future of collectible design is bright."

CURATORIAL HIGHLIGHTS.

The Make. Believe. theme invites a diverse engagement from exhibitors, spotlighting the intersection of skilled craftsmanship and expertise with thoughtful imagination, to celebrate design in its purest form.

THE DESIGN AVANT GARDE THROUGH THE AGES.

Throughout Design Miami’s 20-year history it has been committed to platforming the cutting edge of design from historic icons through to pioneering contemporary voices.

Mass Modern Design (Roosendaal) presents Art Meets Furniture—a curated journey through leading visionary pieces of 20th century design, and an exploration of how the boundaries between fine art and functional design blurred in the hands of bold creators. The presentation places a spotlight on designers who challenge the norms of industrial design, transforming functional furniture into collectible works. Highlights include a 1983 sculptural love seat by David Delthony, and a 1951 desk by Renato Angeli & Claudio Olivieri, in conversation with Rock Chair (2003) by Studio Job.

Mercado Moderno (Rio de Janeiro) brings a special collection of historical pieces, with the refined curation that characterizes the gallery: essentially elegant and organic ambiences, with handcrafted works and minimalist forms, in complete harmony with the desires of present collectionism. Marking a continued commitment to platforming the pinnacle of contemporary and historic Brazilian design, Mercado Moderno gallery will showcase the likes of Joaquim Tenreiro, Zanine Caldas, and Jorge Zalszupin—as well as new faces, such as Rodrigo Simão, Inês Schertel, Alê Jordão, amongst others.

Moderne Gallery (Philadelphia) is a leading specialist in the work of George Nakashima, the Japanese-American furniture designer and craftsman who left an indelible mark on American design, pioneering a new design vocabulary that bridged the gap between Eastern and Western design sensibilities and Japanese woodworking traditions. Highlights on show this year include an extremely rare pair of Conoid Benches by Nakashima. Designed as a pair in 1972 at the request of an important patron, the benches were brought to life from the same American black walnut tree, forming a truly matching pair. The gallery will also present Nakashima’s Kevin End Table (1981), featuring a highly expressive, free form top crafted from a single slab of English Walnut, offering a contrapuntal harmony with the strong architectural angularity of the base and support structures.

Making its Design Miami debut, Galerie Signé (Paris) presents works by Marie & Alexandre, Julie Richoz, and Martin Szekely, alongside Emmanuel Outy and a selection of drawings by 1980s French designer duo Nemo—a curation that reflects the gallery’s commitment to nurturing emerging designers and fostering a critical conversation within design history. Highlights include Marie & Alexandre, whose work across blown glass, ceramic, wood, and wrought iron explores the expressive potential of materials and traditional savoir-faire. A new chandelier from their Berries lighting collection will be unveiled on the occasion of the fair. Additionally, Richoz will debut an unseen large-scale piece, alongside a lighting design which sees a suspended choreography of tone and translucency, composed of fabric and wood.

Presenting within the Curio program, Superhouse (New York) returns to Design Miami with American Art Furniture: 1980–1990—the gallery’s third appearance at the fair and the first presentation devoted entirely to historical work. The exhibition offers a rare encounter with landmark examples of American design outside a museum setting, with works by 12 pioneering designers including Alex Locadia, Dan Friedman, Elizabeth Browning Jackson, Forrest Myers, Gloria Kisch, Howard Meister, Michele Oka Doner, Pippa Garner, Richard Snyder, Terence Main, Tom Loeser, and Wendy Maruyama. By bringing together a selection of works debuting publicly for the first time, Superhouse reasserts the radical experimentation that defined American art furniture in the 1980s.

Making its first participation in Design Miami, Achille Salvagni Atelier (New York), will present a Special Project, Memories of the Future. The scenographic installation sets iconic pieces by Italian masters from the 1950s in conversation with contemporary creations by Salvagni. The presentation is curated to invite a conversation around the ongoing relationship between memory and modernity—a tribute to design as both legacy and prophecy.

MATERIAL POSSIBILITY.

Amongst the highlights of this year’s edition of Design Miami, is a celebration of design as a physical manifestation and form to communicate wild flights of imagination, realized through dedication to skill and expert craft.

Through an exploration of material possibilities, a key focus on glass emerges. Galerie SCENE OUVERTE (Paris), in addition to its Gallery presentation, will showcase scenographic Curio dedicated to works by Simone Crestani. Layers of blown glass ornaments in a variety of organic and zoological shapes are delicately placed to create an immersive experience; once light flows through the installation, luminous pools are created to evoke a dreamlike journey through an underwater garden.

Nouvel (Milan) will present Glass Reflections—a design residency exploring glass innovations through the works of five international designers including Julie Richoz, Nicolas Le Moigne, Laurin Schaub, Dimitri Nassisi, and Michel Charlot. The five-year collaborative program took place in Nouvel’s Mexico-based workshop, offering designers a deep dive into the material qualities of glass and its creative potential. Through an exploration of the material possibility of glass, each designer applies their unique approach to exploring how it can serve both as a medium for reflection, and a platform for applied experimentation. The result is a presentation that spotlights boundary-pushing craftsmanship and expertise of glass craft, with works panning from artistic to architectural.

Taking the concept of material possibility into new realms and otherworldly visual languages, a number of galleries will present works that engage with collectible design through a futuristic lens. Participating within the curatorial project, Design Miami 2.0, David Klein Gallery (Ferndale) presents works by Jack Craig. Trained in electrophysics and steeped in an intuitive design practice, Craig transforms humble, synthetic carpeting into vibrant sculptural forms that blur the boundaries between art, furniture, and fantasy. For this presentation, Craig debuts a selection of his signature “molded carpet” works—fanciful, other-worldly pieces that seem to have emerged from an imagined collision between industrial experimentation and cosmic phenomena.

Also showcasing with Design Miami 2.0, TF Design (San Francisco), the studio founded by sculptural designer Tina Frey, will debut its Orbit Collection in bronze. The three-piece series marks an evolution in materiality and form, exploring permanence and tactility through the lens of collectible design. Inspired by celestial movement and orbital planes, the pieces—Orbit 1, Orbit 2 and Orbit 3—embody Frey’s distinct sculptural language of harmonious curves and organic contours. Each work began as a clay model hand-sculpted by Frey before being cast in bronze in the foundry. Hand-polished to retain the natural striations of the original clay, the surfaces capture the interplay of light, shadow and space with a substantial presence.

Returning to Design Miami, Hostler Burrows (New York) presents Ten Women—a group presentation highlighting ten female designers and artisans whose works explore themes of natural structures and scientific form, artifice, and originality. Drawing on the wellspring of Nordic ceramics and sculpture that has long been the basis of Hostler Burrows’ programming, the designers featured each operate out of studios through Denmark, Finland, Sweden, and the United States. Jasmin Anoschkin, Anne Brandhoj, Frida Fjellman, Maren Kloppmann, Astrid Krogh, Jenny Nordberg, Eun-Ha Paek, Kristina Riska, Anat Shiftan, and Eva Zethraeus, each bring a conscious awareness to their medium of choice, playfully engaging with the inherent possibilities of ceramics, carved wood, and blown glass to unexpected and evocative results.

Wexler Gallery (Philadelphia) returns to Design Miami to showcase newly represented designers from its international program. Responding to this year’s theme, Make. Believe., the exhibition is a celebration of imagination, material exploration, and the maker’s hands as a counterpoint to mass production. Ezra Ardolino merges robotic precision with expressive form, crafting stick-laminated furniture that transforms engineered materials into poetic shapes. Meanwhile, Cimone Kind Berman’s mixed-media mirrors fuse glass, metal, and pigment into portals that feel both ancient and futuristic. The gallery will also present works by Henry Baumann, Marcus Vinicius De Paula, Sofia Karakatsanis, Tom Palmer, Erin Sullivan, and Jennifer Trask.

J. Lohmann Gallery (New York) presents Crafted Excellence, a curated presentation that will spotlight Merete Rasmussen, Sara Dodd, Ahryun Lee, Toni De Jesus, Jongjin Park, and Sandra Davolio. The collection features exceptional examples of ceramic materiality and a spotlight on expert technical knowledge and skills to forge unique techniques during their artistic process that produce works born of imagination.

SPIRITUALITY & STORYTELLING.

Harnessing design to interpret myth and spirituality through the ages, this year’s exhibitors explore the ways art and craft can tell stories, evoke transcendence, and connect shared human experiences.

Ippodo Gallery (New York) presents a curated selection of artworks that embody hope, lightness, and spiritual reflection, celebrating materials and techniques that evoke radiance, transcendence, and narrative depth. Exploring the interplay of light and texture, the presentation reveals the subtle glow and depth found throughout traditional Japanese craftsmanship. As Japan continues to embrace modern minimalist and wabi-sabi philosophies, the showcase reflects an ongoing evolution of heritage and innovation. Spotlighting leading contemporary kogei artists pushing boundaries on material and form, Ippodo Gallery engages in a wider conversation about preserving tradition while redefining its role in contemporary art.

Roham Shamekh (Dubai) unveils The Roots Sofa, a sculptural piece that invites reflection on our collective human experience, awareness, and emotions. Evoking a timeless presence, spanning past, present, and future, the work transcends function to become a manifestation of our shared history and consciousness. By appealing to our collective roots, Shamekh reminds viewers of the ability to shape our connected future.

Charles Burnand Gallery (London) presents Monuments of Ether, a bold vision of the monumental reimagined, conjuring memory, atmosphere, and belief. The curated presentation offers an invitation into a liminal realm where form becomes fiction, and material becomes myth. The exhibition unites artists whose practices push beyond function, toward the speculative and the sublime; featuring new works by DEGLAN, Fabrikr, Marc Fish, Myungtaek Jung, Kyeok Kim, Peter Lane, Jungin Lee, Yanxiong Lin, Julian Mayor, Yaerin Pyun, Weon Rhee, Studio Furthermore and Jan Waterston. Each work exists in a state of suspension between the physical and the imagined, striking a dialogue between works that stand as a monument to the past and artefacts of a future unearthed—from charred Iroko wood and carbon-lacquered surfaces, to dichroic metals and layered hanji paper.

Presenting under the Design Miami 2.0 Special Project, Mehdi Dakhli (Paris) reveals the Muravey Chair, a contemporary reinterpretation of the original Sidi Bou Chair. Crafted from Pink Ivory wood and upholstered in a wool, viscose, and cotton bouclé fabric, the African material once reserved for royalty in the Zulu kingdom adds a sense of historical reverence. Seamlessly balancing strength and comfort, the pairing offers a harmonious dialogue between the spiritual and material worlds, combining history, craftsmanship, and modern design.

Also presenting a selection of works as part of Design Miami 2.0, Ukrainian designer, architect, and artist Victoria Yakusha (Brussels) unveils The Land of Light II. The next chapter in her sculptural series, Yakusha responds to a world shaped by change to explore ways of enduring, carrying on, and preserving one’s inner light over time. Introducing four new mythical beings, each design embodies distinct human qualities: wisdom and acceptance, wonder and hope, uniqueness and curiosity, tenderness and kindness. Hand-sculpted using Yakusha’s signature sustainable material, ZTISTA, a tactile blend of clay, flax, wood chips, and biopolymer, the designs become vessels for memory, emotion and ritual. Together, they enact Yakusha’s guiding philosophy of “live minimalism,” where designs feel both ancient and futuristic.

GEOLOGY & GEOGRAPHY.

Journeying from the micro and molecular to the macro, this year’s presentations take on a geological quality, exploring modes of design with a distinct geographic sensibility that reflects the materials, landscapes, and forces shaping our modern world.

Returning to Design Miami for its second year, Mouvements Modernes (Paris) presents a curated exhibition dedicated to pioneering designers of the 1980s-1990s in dialogue with emerging creators. Highlights include Dan Friedman’s USA tables (1993), influenced by the American art scene of the 80s and Italian Memphis movement, in addition to the Totem Axis White Rabbit (2022) by Tim Leclabart and Arc en ciel (1998) by Elizabeth Garouste & Mattia Bonetti—a lacquered wood chest of drawers detailed with white patinated wrought iron and Saint-Just glass.

Dubai-based artist, KAMEH (Dubai), joins the Design Miami 2.0 program to debut KAMEH 6.0, an evocative new collection of objects created in collaboration with skilled local artisans in the UAE. Centered around nature and the shared human experience, the works channel the raw beauty of the desert and the delicate geometry of the desert rose, celebrating its crystalline forms shaped by sand and time. Intricate shapes are reimagined as sculptural furniture objects, drawing upon the interplay of shadow and light in a series of charred wood pieces. Creating a dialogue between permanence and impermanence, the works rest upon large mirrors, allowing visitors to experience the installation from every angle.

Adrian Sassoon (London) presents a journey-led experience inviting viewers to explore juxtapositions in contemporary design. Debuting new works by Kate Malone inspired by geological forms, detailed surfaces and precious materials are highlighted, while larger-scale vases, lighting, and installations offer visual anchors to complement the overall display. Together, the pieces encourage contemplation of materiality, form, and the landscapes that inspire them, connecting design to both geography and the natural world.

RECRAFTED TRADITIONS.

Contemporary interpretations of historic craft reimagine ancestral techniques and forms, bridging heritage and innovation to create works that honor the past in dialogue with the present day.

Friends Artspace (Virginia) presents a collection of works that transform tradition, reclaiming inherited forms and techniques while reimagining their original meanings. Highlights include works by Kawabi, whose wood and paper lighting draws on Japanese joinery to create sacred objects for an imagined ancestral home, and Aspen Golan, who reinterprets 18th and 19th century broom-making, transforming domestic tools into sculptural tributes to collective labor. By elevating the accessible, the imperfect, and the overlooked, these designers remove their materials from the industrial sphere, transforming them into objects of lasting presence—intended to carry the intimacy of craft alongside the power of reimagined tradition.

Following the debut of Design Miami In Situ.Seoul earlier this year, Gallery LVS (Seoul) has partnered with The Korea Craft and Design Foundation to platform a series of works by leading Korean designers. Marking a continued commitment to Korean heritage craft and innovation, highlights include works by Chun Kwang-young, Bae Se-hwa, Kim Dong-jun, Chang Yeon-soon, Yoo Da-hyun, and Kim Doek-ho.

Globally acclaimed designer, Stephen Burks (New York) and ALPI, leaders in sustainable wooden surfaces, join forces with Friedman Benda for the Design Miami 2.0 Special Project to present The Lost Cloth Object. The project translates the textile traditions of the ancient Kuba Kingdom (present day Democratic Republic of Congo) into the innovative woodworks of Italian manufacturer ALPI, highlighting the elaborate, embroidered geometric patterns of Kuba cloths. Renowned for its engineered wood veneers, with designs by luminaries such as Ettore Sottsass, Alessandro Mendini, and Piero Lissoni, ALPI collaborates with Burks to revive the natural grain, color, and patterns of endangered woods. Conceptualized following a weeklong workshop in Kinshasa with the contemporary Kuba collective Kilubukila, the project fuses two culturally diverse perspectives into a series of independent, functionally designed pieces that celebrate both heritage and innovation.

PET Lamp (Madrid), founded by Spanish designer Álvaro Catalán de Ocón, transforms discarded plastic bottles into unique works while preserving traditional craftsmanship worldwide. Since 2012, the project has collaborated with artisan communities across Colombia, Chile, Ethiopia, Thailand, Australia, and Ghana, blending contemporary technology with ancestral techniques. Working with local craftswomen, PET Lamp applies traditional basketry and weaving methods to repurpose PET bottles into functional lighting, reimagined as immersive installations that celebrate sustainability, community solidarity, women’s empowerment, and cultural preservation.

Sten Studio (Mexico City) presents Lithic Bloom: A Sculptural Garden; a collection of works that transform the fragility of flowers and petals into immortalized stone. Reimagining the softness of leaves into mineral geometry, the vibrancy of life meets with sculptural permanence. Evoking the forms and essence of the natural world, these stone artifacts celebrate the diversity of botanical life, paying homage to nature through meticulous craftsmanship and timeless design.

ADDITIONAL HIGHLIGHTS.

Design Miami is pleased to announce an engaging series of additional programming highlights from its partners and collaborators for the 21st edition of its Miami Beach fair. Each collaborator presents a vibrant, diverse, and thought-provoking response to the Make. Believe. thematic.

Highlights include pioneering design collaborations from Fendi and Conie Vallese; while Clive Christian Perfume joins forces with Crosby Studios; to immersive sensory installations by Range Rover; Gaggenau; Lasvit; CADAR x VENINI; and Piaget. Meanwhile, additional partners place meaningful spotlights on emerging designers, with Miami Design District’s 2025 Annual Design Commission awarded to Katie Stout; and SCAD’s platform of alumni work. Finally, Design Miami’s Collector Lounge transforms into a curated display by Henge–blending intimacy with aesthetic research; and the Design Talks Theater is reimagined by Arquitectonica into an immersive concept engaging with themes around the past, present, and future of design.

Further information on the Design Miami 2025 Partner Program can be found here.

NOTES TO EDITORS

Design Miami Galleries.
Adrian Sassoon
Arte y Ritual
Ateliers Courbet
Boccara Gallery
Carpenters Workshop Gallery
Charles Burnand Gallery
Cristina Grajales
David Gill Gallery
Delvis (Un)limited Gallery
Friedman Benda
Galerie Gastou
Galerie SCENE OUVERTE
Galerie Signé
Giulia De Jonckheere Design
Hostler Burrows
Ippodo Gallery
J. Lohmann Gallery
LEFEBVRE ET FILS
Magen H Gallery
Mass Modern Design
Mercado Moderno
Mindy Solomon Gallery
Moderne Gallery
Ornamentum
R & Company
The Future Perfect
Theoreme Editions
Thomsen Gallery
Todd Merrill Studio
Wexler Gallery

Design Miami Curios.
1882 ltd
Arquitectonica
Atelier Crestani
ATRA
Bea Interiors Design
Bossa
Elisabetta Cipriani Wearable Art
Friends Artspace
GARRIDO GALLERY
Hicham Ghandour
HOMMEMADE
Marcela Cure
Merida Studio
MOUVEMENTS MODERNES
Nick Thomm
PET Lamp
Roham Shamekh
SI VIS PACEM
Sten Studio
Superhouse
the Spaceless Gallery
Tokio
Tuleste Factory

Design Miami Special Projects.
Achille Salvagni Atelier: Memories of the Future
Design Miami 2.0, curated by Glenn Adamson
Friedman Benda presents Swatching Space Time (2023) by Misha Kahn
Hostler Burrows presents Eun-Ha Paek: New works from the Kohler Arts/Industry Residency Program
Rising, Rooted, and Woven by Joyce Billet presented by Villa Albertine with plants from Fairchild Tropical Botanic Garden
KOREA NOW & Here: Korea Craft and Design Foundation with Gallery LVS
Malaparte and Gagosian present Casa Malaparte: Furniture
I AM by Mathieu Lehanneur
PALAZZO by Mathieu Lehanneur
Nouvel presents Glass Reflections
Ornamentum presents Oculus by Jayden Moore
RAY & Gufram present: Fiore di Cactus, edited by Francesco Vezzoli
Todd Merrill Studio presents Erik Speer: Unraveled Reefs

Design Miami 2.0
Jack Craig, presented by David Klein Gallery
KAMEH
Kooij
Mehdi Dakhli
Stephen Burks Man Made in collaboration with ALPI, in association with Friedman Benda
Steven Young Lee, presented by Duane Reed Gallery
Tina Frey Designs
Victoria Yakusha

Design Miami Partners.
Alkemis Paint
CADAR
Clive Christian
Daum
Fendi
Gaggenau
Kohler
Lasvit
Miami Design District
Perrier-Jouët
Piaget
Range Rover
SCAD
Technogym
Venini
Arquitectonica
Bank of America
FIU
Haworth
Henge
Homo Faber
Irthi Contemporary Crafts Council
Label Brand
Maison Perrier
Michael’s Genuine
1 Hotel South Beach
TM Lighting
UNA Vodka
AFALULA

Address.
Design Miami.
Convention Ctr Dr, Miami Beach, FL 33139, United States

Schedule of Events.
Tuesday, December 2, 2025.
Members Preview. 11am-1pm
Collectors Preview. 1pm-6pm

Press Preview. 2pm-6pm
Wednesday, December 3, 2025.
VIP Preview. 11am-1pm.

Public Show Days.
Wednesday, December 3. 1pm-7pm
Thursday, December 4. 11am-7pm
Friday, December 5. 11am-7pm
Saturday, December 6. 11am-7pm
Sunday, December 7. 11am-6pm

Visiting the Fair.
Passes to the fair are available for purchase here or at designmiami.com.
Accredited members of the media can register for a press pass here.

About Design Miami.
Design Miami provides a global platform for extraordinary collectible design through activations featuring a global network of galleries, designers, brands, experts, collectors, and enthusiasts. Each Design Miami fair features museum-quality 20th and 21st century furniture, lighting, and objets d’art from the world’s top, expertly vetted galleries, in addition to showcasing immersive design collaborations with celebrated brands. Founded in 2005, the brand’s flagship Miami Beach fair takes place each December. More recently, Design Miami has expanded its global design forum to incorporate localized event formats, including its Paris fair, hosted in a locally-specific architectural setting each October; and Design Miami.In Situ, designed to offer regionalized experiences that celebrate and cultivate local design communities.

About Bank of America.
Bank of America is one of the world’s leading financial institutions, serving individual consumers, small and middle-market businesses and large corporations with a full range of banking, investing, asset management and other financial and risk management products and services. The company provides unmatched convenience in the United States, serving nearly 70 million consumer and small business clients with approximately 3,600 retail financial centers, approximately 15,000 ATMs (automated teller machines) and award-winning digital banking with approximately 59 million verified digital users. Bank of America is a global leader in wealth management, corporate and investment banking and trading across a broad range of asset classes, serving corporations, governments, institutions and individuals around the world. Bank of America offers industry-leading support to approximately 4 million small business households through a suite of innovative, easy-to-use online products and services. The company serves clients through operations across the United States, its territories and more than 35 countries. Bank of America Corporation stock (NYSE: BAC) is listed on the New York Stock Exchange.

Press inquiries, please contact:

CAMRON
Hannah Perry, Grace Englefield, Emily Bilgore, Alessa Marczak.
dm@camronglobal.com